Lucas Ventura


Lucas Ventura - professional session drummer and drum instructor. Drum lessons in the Boise Idaho region.

On Practice

I have wanted to write a series of articles on aspects of playing and teaching. One of those topics is Practice, and as a creative way of copping out of having to write an elaborate article on the subject (j/k), I'm going to quote a fellow teacher's article today. But first, let me tell you a little about him, and why I'm mentioning him in the first place.

Jeff Findley was a teacher at Metro Music Center in Glendale AZ when I first started working there as a teenager. When I was tuning guitars every day, selling drum sticks and picks, and hadn't even thought of teaching yet, he was there on most days in his studio, teaching student after student.
In time, Jeff and I became friends, and he was one of the teachers there that helped instill the confidence in me to try out teaching. And that is where my career as a music instructor began. That was something like fifteen years ago.
Several years after that, Jeff informed me that the band he'd formed was moving to LA and needed a drummer. I had recently quit my band and was ready for something new. Jeff was a player that I revered and respected, and it was a genuine flattery that he considered me on his level, at this time. I said yes and only a few months later was living in Canoga Park CA with him and one of our other band mates.
Though in the end the band didn't work out (and it pains me to say we never released any musical works together), my musical relationship with Jeff was one of the most important things to affect my professional musical career. For one, his work ethic as a writer, player, and teacher were all impeccable. As a bandleader, he pushed me to the next level of my playing. Watching him teach, he gave me critical insights into how a good teacher molds their students. He has such a great combination of humor, candor, and enthusiasm towards music and playing that you can't not take what he says to heart. Looking back, I think that I owe a lot of my professional habits to things that Jeff instilled in me.
So with that being said, I'd like to quote Jeff's article, "Thoughts on Practice." Enjoy!

I remember when I was 15. I used to spend hours playing video games. My favorites were “Legend of Zelda” and “Metroid”. I’ll never forget the day when I finally killed the Mother Brain. So many late nights spent searching the dark, mesmerizing landscape of that classic game. Fond memories, indeed.
Finally, one Sunday afternoon I dialed in the precise combination of jumping, dumb luck, and launching of missiles necessary to destroy my nemesis. Then my character appeared sans space suit, and I realized that the whole time Samus was a woman, and not an unattractive one to boot. But I digress.
The thing about that experience, and every other similar experience I had with reaching the end of a video game (they are numerous) is that upon reaching the end there was an empty feeling. All of that time and energy, all of those Coca-Cola hangovers, a hail of indiscriminate missile fire, and it's over. Time to get a new game.
The guitar is not like this. It is a game without end. There is no Mother Brain. You will never, ever get to the end. Sure, if you're not careful you could wind up being one of those lost souls wandering aimlessly around the same level forever, but that's no fun. You've got to keep pushing and exploring. There is always more. Read any interview with any musician of merit and you'll hear them say the same thing. You've got to keep trying new things and exploring new rooms. If you are or have aspirations of becoming a pro, you'll need to think this way for your success and sanity, but even if you have no such aspirations you simply owe it to yourself to experience music as richly as you can. In other words once you get that Rush tune together, dig into some Ravel. 
One thing I've been fascinated by lately is the manner in which time is perceived during practice. It’s interesting indeed to take an occasional glance at the clock during a solid practice session, and pay careful attention to what 5 minutes can feel like when you're struggling with something. I've had times when I could have sworn that 5 minutes was a half-hour. The anguish and tedium can make it feel like an eternity, but it hasn't been an eternity, it's been 5 minutes. Keep practicing.
The other thing that I cannot emphasize enough is to correctly define “practice”. It’s not simply doing something over and over again; it has to have purpose. You have to have a specific objective in mind, or you’re not going to get anywhere. The basic rule of thumb you should keep in mind is that every time you finish a practice session you should be able to do something you couldn’t do when you sat down. Stick with this philosophy and it will pay compound interest and dividends.
The objective is to get in there every day and slug it out. It’s just like so many other things in life that we avoid, but once we finally get in there and do it it’s great fun, and much more gratifying than watching television. In addition to the obvious benefit of simply getting better at the instrument, you will in fact become more alive, knowing that you have taken another step towards true proficiency at a very beautiful, and mysterious instrument. Now get in there and kill it.
photo by  Megan J Carroll

I don't know if he keeps the old thing up, but you can read more of Jeff's thoughts on his website or hear some of his compositions on his SoundCloud page.

As always Jeff, you're a big inspiration to me and since I've left LA I miss you professionally, but most of all as my good friend!